Thursday 28 February 2013

Kelly Clarkson Blasts Clive Davis Memoir

Posted by Unknown | 19:48 Categories: , , , , ,
(Johannes Simon/Getty Images) (credit: Johannes Simon/Getty Images)

NEW YORK (CBS NEWS) - Pop star Kelly Clarkson isn’t singing her praises over record executive Clive Davis’ new memoir.

The “Stronger” singer says she wants to set the record straight over what she calls “false information” in Davis’ book. She claims the 80-year-old Sony Music Entertainment CCO mixed up details and omitted others when writing about her. “I refuse to be bullied and I just have to clear up his memory lapses … It feels like a violation,” the 30-year-old Clarkson said in a recent online post, “Growing up is awesome because you learn you don’t have to cower to anyone — even Clive Davis.”

Clarkson cites an incident in Davis’ book in which he allegedly claims that she cried in his office after not wanting the chart-topping single “Since You’ve Been Gone” on her album. She claims this is false, and that she did cry in his office once but that was over another song, “Because of You,” which Davis did not want on the album.

Among her other claims, Clarkson says that Davis once “stood up in front of his company at a convention and belittled me and my music.” That’s not in the book either.

Davis responded to Clarkson’s post on Tuesday, describing Clarkson as “a tremendous vocal talent and performer.” He wrote in an online post, “I am truly very sorry that she has decided to take issue with what I know to be an accurate depiction of our time together. Before the book was published, I had every fact checked with five independent individuals who were present on a daily basis throughout it all. The chapter as it is written was thoroughly verified by each and every one of them. I stand by the chapter as written in my book. At the same time I wish, and will always wish, Kelly’s talent and her career to soar to ever new heights.”

Aside from Clarkson’s criticisms, Davis’ memoir “The Soundtrack of My Life” has also been in the headlines lately for the music mogul’s revelation in the book that he is bisexual. “The Soundtrack of My Life” is now available in stores.

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GRAPEVINE (CBSDFW.COM) - A former Gamestop Vice President is quickly trying to hit the reset button to avoid a lengthy prison stay and heavy fines after he pleaded guilty one count of mail fraud in Federal Court.

Frank ‘Chris’ Olivera, Gamestop’s former Vice President of Corporate Communications and Public Affairs, made the plea Tuesday in Dallas after the FBI and U.S. Attorney’s office for the Northern District of Texas brought a case against him showing that he created and ran a fake company from July 2009 to April 2011.

Olivera would have been sentenced Thursday in Dallas, but Judge Jane Boyle delayed the sentencing after lawyer Tim Evans asked the court to not use statements from Gamestop, calling them allegations that had nothing to do with the case.

Olivera, 46, used the company, Cloud Communications LLC, as a fake vendor for Gamestop and would submit invoices for work done by the company to Gamestop’s corporate offices in Grapevine from Cloud Communications from Las Vegas and Lake Tahoe, as well as locations in Canada.

Olivera also created an alias, a woman named Jennifer Miller, to operate as Cloud Communications’ point of contact.

He would deposit all money collected as Cloud into one account, then transfer it into his personal account.

In 21 months of operation, Olivera skimmed nearly $2 million in fraudulent invoices from Gamestop while continuing to serve as a company executive.

Olivera remains free on bond.  He faces a maximum 20 years in prison and a $250,000 plus restitution.  He claims to have already repaid all the money embezzled from Gamestop.

A new date for his sentencing has not been scheduled.

(©2013 CBS Local Media, a division of CBS Radio Inc. All Rights Reserved. This material may not be published, broadcast, rewritten, or redistributed.)

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Wednesday 27 February 2013

Sony's Andrew House, current president and Group CEO of Sony Computer Entertainment, introduces the PlayStation 4 at a news conference February 20, 2013 in New York. (credit: EMMANUEL DUNAND/AFP/Getty Images) Sony’s Andrew House, current president and Group CEO of Sony Computer Entertainment, introduces the PlayStation 4 at a news conference February 20, 2013 in New York. (credit: EMMANUEL DUNAND/AFP/Getty Images)

NEW YORK (AP) - Sony showed off what the PlayStation 4 can do, but not what it will look like.

The Japanese electronics giant talked about its upcoming game console for the first time and said it will go on sale this holiday season.

But Sony didn’t reveal the device itself. Presenters played games that were projected on screens in a converted opera house, but the PlayStations themselves were hidden backstage throughout Wednesday evening’s two-hour event.

“I don’t know that the box is going to be something that’s going to have a dramatic impact on people’s feelings about the game. It will be a color and a size fairly comparable to previous consoles,” said Jack Tretton, CEO of Sony Computer Entertainment of America, the U.S.-based arm of the PlayStation business.

“There’s a big story to tell here, and it’s going to take between now and the holiday season to get all the details out there,” Tretton said in an interview.

Tretton said the price of the PS4 hasn’t been decided yet, but hinted that it wouldn’t be as high as the PlayStation 3 was initially. The PS3 debuted in 2006 with two models for $500 and $600. It now sells for about $300.

The PS4 will be jostling for attention this holiday season with Microsoft’s successor to the Xbox. Details on that device are expected in June. Xbox 360 came out a year before PS3 and has been more popular, largely because of its robust online service, Xbox Live, which allows people to play games with others online. Having an event this early allows Sony to grab the spotlight for a few months, though the lack of an actual device was noted by many people on Twitter and elsewhere.

Sony did reveal that the insides of the PS4 will essentially be a “supercharged PC,” much like an Xbox. That’s a big departure from the old and idiosyncratic PlayStation design and should make it easier for developers to create games. Sony Corp. is using processing chips made by Advanced Micro Devices Inc.

“One of the big challenges we faced in the past was that we created great technology that we handed over to the development community, and they had to go through a learning curve before they could harness it. And when they did, we saw some phenomenal games,” Tretton said. “We wanted to lower that barrier of entry and really give them the ability to create tremendous gaming experiences from Day One.”

The adoption of PC chips also means that the new console won’t be able to play games created for any of the three previous PlayStations, even though the PS4 will have a Blu-ray disc drive, just like the PS3. Instead, Sony said gamers will have to stream older games to the PS4 through the Internet.

Other new features revolve around social networking and remote access. With one button, you can broadcast video of your game play so friends can “look over your shoulder virtually,” said David Perry, co-founder of the Sony-owned Internet game company Gaikai. With remote play, you can run a game on the PS4 to stream over the Internet to Sony’s mobile gaming device, the PlayStation Vita, which debuted last year.

The goal is to make the PS4 so good at figuring out what games and other content you want that it can download it without being asked, so that it’s available when you realize you do want it, Sony said.

“Our long-term vision is to reduce download times of digital titles to zero,” said Mark Cerny, Sony’s lead system architect on the PS4.

The PS4 is arriving amid declines in video game hardware, software and accessory sales. Research firm NPD Group said game sales fell 22 percent to $13.3 billion in 2012. With the launch of the PS4, Sony is looking to attract people who may have shifted their attention to games on Facebook, tablet computers and mobile phones.

Forrester analyst James McQuivey said Sony is missing the point by building what amounts to an upgraded PS3.

“Sony believes the future will be like the past and has built the game console to prove it,” he said. “Tablets and smartphones now engage more people in more minutes of gaming than consoles will ever achieve.”

Sony showed an updated controller that adds a touchpad and a “share” button. The controller also features a light bar, which means a new PlayStation camera can more easily track the device for motion control.

Dennis Fong, CEO of the gaming-centric social networking site Raptr, thinks Sony’s focus on sharing with the PS4 will be good for both gamers and business.

“The ability to capture an image, video or instantly broadcast what’s on players’ screen to their friends is transformational for the new generation of consoles,” said Fong. “Providing them with community tools to create videos and live broadcasts is a cool feature for gamers, and also great for business. User-generated content keeps players engaged with the game even while they aren’t playing it and also attracts new users from the buzz generated around this content.”

The bulk of Wednesday’s event was devoted to demos of games for the PS4, including a realistic team racing simulator, “Drive Club,” super-powered action sequel “Infamous: Second Son,” artsy puzzler “The Witness” and several first-person shooter games, including “Killzone: Shadow Fall.” Beyond games, the PS4 will let people create animation in 3-D using a Move motion controller — all in real time.

Last fall, Nintendo launched the next generation of gaming consoles with the Wii U, which comes with a tablet-like controller called the GamePad. The controller allows two people playing the same game to have different experiences depending on whether they use the GamePad or a traditional Wii remote, which itself was revolutionary when it came out because of its motion-control features.

Judging by Wednesday’s event, Sony seeks to improve but not revolutionize game play. The games were updates to existing ones, with improved graphics.

“At the end of the day, this is a device by gamers for gamers,” Tretton said. “The games that people go out and spend billions of dollars on are your traditional shooters.”

The original Wii has sold more units since its launch than both its rivals, but it has lost momentum in recent years as the novelty of its motion controller faded. Nintendo said it sold 3.1 million Wii Us by the end of 2012. It was a disappointing start for the first of a new generation of gaming systems.

In some ways, notably its ability to display high-definition games, the Wii U was just catching up to the PS3 and the Xbox 360, the preferred consoles to play popular games such as “Call of Duty.”

All three console makers are trying to position their devices as entertainment hubs that can deliver movies, music and social networking as they try to stay relevant in the age of smartphones and tablets. The PlayStation online network will have access to Sony’s video and music services, as well as Netflix, Hulu and Amazon, with paid subscriptions to those services. People will also be able to access Facebook.

(© Copyright 2013 The Associated Press. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed.)

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DALLAS (AP) - Southwest Airlines Co. is now selling on-demand movies during flights for $5.

Dallas-based Southwest said Tuesday that it has launched the service on planes equipped with Internet access — or about 75 percent of its fleet.

Southwest last year began streaming live television to passenger devices. The carrier says the new movies and television show episodes will augment eight channels of news and sports bundled together in a new package that costs $5 per day per device.

Southwest says customers don’t have to buy WiFi to get the movies and TV shows.

The airline contracts with Row 44 to provide Internet access on its Boeing 737-700 and 737-800 planes.

(© Copyright 2013 The Associated Press. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed.)

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Tuesday 26 February 2013

FORT WORTH (CBSDFW.COM) – The Texas Ballet Theater will continue their 2012–2013 season with two performances this weekend.

Sheryl Glenn, Director of Marketing with Texas Ballet Theater, gave some insight on these unique performances. “Val Caniparoli’s ‘Lambarena’ is a beautiful ballet which is a fusion of African and classical. So we take the music of Bach and fuse it with African rhythms and African singing. There’s authentic African dancing from West Africa, along with classical ballet and contemporary ballet.  It’s also the North Texas Premier of Glen Tetley’s ‘Voluntaries.’”

The performances run March 1 through March 3, at the Bass Performance Hall. Click here for more information.

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MOST VIEWED GALLERIES


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Monday 25 February 2013

Possibly the ugliest, perhaps the smallest, almost certainly among the cheapest items to be shortlisted for the prestigious Design Awards is the above olive green box (this dubious shade being least likely to make smokers part with their cash, according to market research).

It's the only design on the annual list that doesn't even have a designer name credited. Credit goes to the Australian Government Department for Health and Ageing, who commissioned the nation-wide cigarette packet following a law passed last year, which banned cigarette suppliers from using the any distinctive branding.

It's the ultimate anti-design - the irony being that if it wins, it will become as desirable and colletable as any brand design.

New Zealand has just announced that it will follow Australia’s example and, according to the press release, the UK is considering it too.

• Do you think we should? Please leave your comments below.

At the other end of the spectrum, in the 'Graphics' category, British sculptor Anish Kapoor - the artist who perhaps more than any other sits comfortably and unabashedly on the fence between art and design (think ArcelorMittal Orbit) - is on the list.

He's co-nominated for his collaboration with design studio Brighten the Corners for a vibrant coffee table book containing facts about the year: the ultimate luxury item, but one that feels less obviously "2013" than the cigarette packet.

Meanwhile, other categories see a typically clever fusion of beauty, form and utility. In the Architecture category, for example, we see the macho new addition to London's skyline, The Shard, next to a modest and homely little curio museum in Istanbul, The Museum of Innocence, based on a novel of the same name by Orhan Pamuk.

Yayoi Kusama's handbags for Dior have made the 'Fashion' category, as have the costume designs for Anna Karenina.

The 'Product' category is surely a foregone conclusion: Heatherwick Studio's Olympic Cauldron.

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Dalí 'thief' held after he is tricked back to US

Posted by Unknown | 11:45 Categories: , ,

Phivos Lampros Istavrioglou, 29, is accused of taking the Cartel Des Don Juan Tenorio 1949, simply removing it from the wall at the Venus Over Manhattan gallery last June and placing it inside a shopping bag before leaving.

Days later, after it was stolen in front of security cameras, it was mailed back to the gallery in a cardboard tube, anonymously, from Greece.

Mr Istavrioglou was allegedly identified by police after his fingerprints were lifted from the packaging in which the painting was returned. Police matched the fingerprints to ones already on file after a theft at a Whole Foods store in TriBeCa, New York, early last year.

All that was required was for police to get Mr Istavrioglou back to the US.

After learning that he was in Milan, an undercover officer reportedly posed as the business manager of an art gallery claiming to be interested in hiring Mr Istavrioglou, who is in charge of international media relations at the French-owned Moncler clothing company.

He flew to New York to speak with the 'gallery manager' about the job but was arrested on Saturday when he landed at John F Kennedy Airport.

Announcing the charges of grand larceny the Manhattan District Attorney Cyrus Vance Jr said: "It was almost surreal how this theft was committed – a thief is accused of putting a valuable Salvador Dalí drawing into a shopping bag in the middle of the afternoon, in full view of surveillance cameras."

Mr Istavrioglou pleaded not guilty in Manhattan Criminal Court on Tuesday. He is due back in court next week.


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Sunday 24 February 2013

David Bailey's East End Faces

Posted by Unknown | 17:55 Categories: , ,

Renowned British photographer David Bailey is exhibiting intimate photographs of the East End. Born in Leytonstone and raised in East Ham, Bailey is one of east London’s most famous sons and his photographs immortalised 60s London. The new show, East End Faces, will run from 23 February to 26 May 2013 at the William Morris Gallery in Walthamstow.

A vistor looks at David Bailey's photo of the Kray Twins with pet snake, 1968

Picture: EDDIE MULHOLLAND

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Edward Gorey, who died in 2000, was born 88 years ago today – and Google has commemorated the artist and writer's life with a Google Doodle.

Gorey wrote and illustrated over 100 books, including The Doubtful Guest and The Gashlycrumb Tinies, from the early Fifties until 1999. Gorey often wrote in rhyme and nonsense verse, and there was a surreal edge to his work. It wasn't unusal for his characters to come to unfortunate ends: the 26 children in The Gashlycrumb Tinies are alphabetically killed off by bear assualts, gin and tumbles down stairs.

Rather than providing cautionary tales for children themselves, Gorey's books were a playful look at overcautious parenting and the idealised perception of childhood. Positive, funny nonsense for children was something he called "boring, boring, boring".

He made the conventional curious and creepy, inserting a penguin-like creature into a stiff Edwardian household in The Doubtful Guest. Gorey made bicycles epiplectic, tea-cosies haunting and sofas fraught, under the guises of Ogdred Weary and Mrs. Regera Dowdy – anagrams of his own name.

Gorey's illustrations brought these narratives to life. His style was somewhere between Surrealism (books without words or people were some of his experiments) and bleak Victorian realism, sketching friendly-looking monsters and imposing, bearded fathers with the same gothic charm. He also illustrated the work of others, including H.G. Wells's War of the Worlds, T. S. Eliot's Old Possum's Book of Practical Cats and, famously, Bram Stoker's Dracula – a book he had reportedly read by the age of five. He won a Tony Award for Best Costume Design for his efforts on the 1977 Broadway production of Dracula.

His influence can be seen in the work of film director Tim Burton, who created Edward Scissorhands and The Nightmare Before Christmas. A Series of Unfortunate Events, a collection of children's novels by Daniel Handler, better known as Lemony Snicket, and Neil Gaiman's Coraline were also inspired by Gorey. Gaiman said he wanted Gorey to illustrate the book, about a young girl who discovers a fanstasy world, but, perhaps fittingly, Gorey died on the day the novel was finished.

Gorey lived a reclusive life, and one not without eccentricities. Between 1957 and 1982, he attended every performance at the New York Ballet, where Russian choreographer George Balanchine was at the time. Although Gorey didn't know Balanchine, he was so obsessed with the choreographer that his death in 1983 caused Gorey to leave New York. He was also a fan of fur coats, tennis shoes, Buffy the Vampire Slayer and cats, which regularly featured in his books – as they do in Google's tribute.

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Phivos Lampros Istavrioglou, 29, is accused of taking the Cartel Des Don Juan Tenorio 1949, simply removing it from the wall at the Venus Over Manhattan gallery last June and placing it inside a shopping bag before leaving.

Days later, after it was stolen in front of security cameras, it was mailed back to the gallery in a cardboard tube, anonymously, from Greece.

Mr Istavrioglou was allegedly identified by police after his fingerprints were lifted from the packaging in which the painting was returned. Police matched the fingerprints to ones already on file after a theft at a Whole Foods store in TriBeCa, New York, early last year.

All that was required was for police to get Mr Istavrioglou back to the US. After learning that he was in Milan, an undercover officer reportedly posed as the business manager of an art gallery claiming to be interested in hiring Mr Istavrioglou, who at the time was in charge of international media relations at the French-owned Moncler clothing company.

He flew to New York to speak with the ‘gallery manager’ about the job but was arrested on Saturday when he landed at John F Kennedy Airport.

Announcing the charges of grand larceny the Manhattan District Attorney Cyrus Vance Jr said: “It was almost surreal how this theft was committed — a thief is accused of putting a valuable Salvador Dalí drawing into a shopping bag in the middle of the afternoon, in full view of surveillance cameras.”

Mr Istavrioglou pleaded not guilty in Manhattan Criminal Court on Tuesday. He is due back in court next week.


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Saturday 23 February 2013

Old Vic Tunnels, the 30,000 square feet performance space situated underneath Waterloo train station, will close next month after hosting arts events for three years.

Hamish Jenkinson, director of the Tunnels, posted the news on Facebook, saying "We have decided to draw our innovative project at The Tunnels to a close." He added: "We have three great years to look back on, and are proud of the remarkable range of events and productions that we have presented in the space."

The Tunnels posted an update on their website this morning saying that the space will close on March 15. As yet, no information has been given as to why the Tunnels are to close.

The Tunnels were bought from British Rail by The Old Vic theatre in 2010. The area consists of five unusued railway tunnels, which Jenkinson discovered almost by accident in 2008 while attending a Banksy exhibition in a neighbouring Street. Jenkinson said he "kicked through a door" which led into the tunnels, which had been abandoned for 20 years, and "got obsessed with it."

The Tunnels' first show, Punchdrunk's Tunnel 228, sold 20,000 tickets in six hours. There have since been art exhibitions, cabaret, theatre and other performance art at the venue. Banksy premiered his documentary Exit through the Gift Shop in a temporary cinema space in the Tunnels in 2010, and former president Bill Clinton hosted a fundraiser there in 2012. Rock band New York Dolls performed in the space and a Michelin Star pop-up restuarant also used the venue.

The space also inspired the Old Vic Tunnels Volunteers project, which allowed young theatre makers to participate in various roles at the Tunnels. The venture was awarded the Big Society Award from the Prime Minister in 2011.

The Old Vic and Old Vic Tunnels artistic director Kevin Spacey announced in January that he would leave the theatre franchise in 2015.

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Columnist

Phivos Lampros Istavrioglou, Moncler's head of international relations is accused of stealing Salvador Dali's 'Cartel Des Don Juan Tenorio 1949' from a New York art gallery in 2012.

BY Belinda White | 20 February 2013

'Cartel Des Don Juan Tenorio, 1949' by Salvador Dali. 'Cartel Des Don Juan Tenorio, 1949' by Salvador Dali. Photo: AP

French fashion brand Moncler's head of international media relations was arrested at New York's JFK airport on Saturday night after allegedly stealing a $150,000 Salvador Dali painting from an Upper East Side art gallery last year.

Phivos Lampros Istavrioglou, 29, was handcuffed by detectives at 1.15pm after stepping off an American Airlines flight from Milan following a sting operation to lure him back to the city, New York Post reports.

Istavrioglou is accused of stealing the 'Cartel Des Don Juan Tenorio 1949' from the Venus Over Manhattan gallery last June in a crime that made international news.


Phivos Lampros Istavrioglou captured on CCTV

Sources confirmed that Istavrioglou has admitted to the theft, claiming he did it because "there was a lapse in security at the gallery and he wanted to point it out."

Bail has been set at $100,000 by the Manhattan Criminal Court following a charge of larceny in the second degree.

The accused allegedly snatched the Dali painting off a wall in the exhibition area during business hours, dropped it inside a shopping bag and strolled out of the gallery, police said.

The following week he posted the painting back to the gallery from Greece inside a cylinder, and police were able to lift his fingerprints following a separate arrest for stealing a steak from Whole Foods, New York last January.

Undercover detectives posed as representatives from a up-market art gallery offering Istavrioglou a lucrative consultancy contract to entice him to return to New York.

A spokesman confirmed that Istavrioglou has left Moncler, which is famous for its luxurious, down-filled puffa jackets.


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London’s cultural landscape is altered dramatically and fleetingly each summer with the unveiling of the Serpentine Gallery Pavilion Commission. Conceived by the gallery’s director Julia Peyton-Jones in 2000, the project sees a completely different pavilion erected in the gallery grounds each June, with a different design team creating the structure each year. Zaha Hadid was the first to be honoured with the responsibility in 2000; subsequent designers have included Oscar Niemeyer in 2003; Olafur Eliasson and Kjetil Thorsen in 2007; Frank Gehry in 2008; and Herzog & de Meuron and Ai Weiwei in 2012.

It has now been revealed that the Serpentine Gallery Pavilion 2013 will be designed by Japanese architect Sou Fujimoto, regarded as one of the most important architects emerging worldwide. Turning 42 this year, he is the youngest architect to accept the invitation to design the Serpentine Pavilion and renderings of his pavilion show an extensive latticed structure built using 20mm steel poles.


The pavilion interior. Image: Studio Cyrille Thomas for Sou Fujimoto Architects

Fujimoto’s designs are frequently inspired by organic structures, such as the forest, nest and cave, and his pavilion carries that pattern forward with the steel poles being layered upon each other to form a semi-transparent edifice that blends into the surrounding landscape. Occupying approximately 350 sq metres of lawn in front of the Serpentine Gallery, the pavilion will function as a flexible, multi-purpose social space and will contain a café. Speaking about his design, Mr. Fujimoto said: “It will… simultaneously protecting visitors from the elements while allowing them to remain part of the landscape. The delicate quality of the structure, enhanced by its semi-transparency, will create a geometric, cloud-like form, as if it were mist rising from the undulations of the park. From certain vantage points, the Pavilion will appear to merge with the classical structure of the Serpentine Gallery, with visitors suspended in space.”

The 2013 Serpentine Gallery Pavilion will be the third to be designed by a Japanese architect – the 2002 pavilion was designed by Toyo Ito, while the 2009 pavilion was designed by Kazuyo Sejima & Ryue Nishizawa of SANAA. Although Mr. Fujimoto’s designs are found mostly in Japan, he has won a number of international design prizes including the Architectural Review Awards and Wallpaper magazine’s 2010 Design Award. His Serpentine pavilion will be in place from June 8 to October 20, 2013.


House NA is a Sou Fujimoto-designed residence in Tokyo. Image: Sou Fujimoto Architects; Iwan Baan


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O2 has commissioned street artist Slinkachu, known for using models of “little people” interacting with their real-world environment, to create three original artworks to support the 20 Years of War Child exhibition at the British Music Experience at The O2. The three pieces, all created in playgrounds around London, juxtapose children in war-torn scenarios, highlighting the injustice of children affected by war.

Hide and Seek: Little Dorrit Park, Borough, London, 2013

Picture: Slinkachu

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Thursday 14 February 2013

Make a Clementine Candle - Easy Fire Project

Posted by Unknown | 02:52 Categories: , ,
Make a candle using a clementine and olive oil. (Anne Helmestine)Did you know you can make a candle using a citrus fruit and olive oil, no wax or wick required? If you think about how a candle works, the wick supplies fuel to the flame, which undergoes combustion to become water and carbon dioxide. The white part of a citrus fruit, the pericarp, supplies oil the same way. This project uses a clementine, which is similar to an orange, but has a very thin skin and is easy to peel. You could substitute another citrus if you can't find this particular one. The resulting candle is all-natural and burns cleanly, plus it's pretty and smells nice!... Try itif(zs>0){if(zSbL250)gEI("spacer").style.height=Math.floor(e[0].height/12)+17.5+'em';else{var zIClns=[];function walkup(e){if(e.className!='entry'){if(e.nodeName=='A'||e.style.styleFloat=='right'||e.style.cssFloat=='right'||e.align=='right'||e.align=='left'||e.className=='alignright'||e.className=='alignleft')zIClns.push(e);walkup(e.parentNode)}}walkup(e[0]);if(zIClns.length){node=zIClns[zIClns.length-1];var clone=node.cloneNode(true);node.parentNode.removeChild(node);getElementsByClassName("entry",gEI("articlebody"))[0].insertBefore(clone,gEI("spacer"))}}}};zSB(2);zSbL=0

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LONDON | Fri Feb 8, 2013 9:14am EST

LONDON (Reuters) - They may have had accolades and a knighthood in common, but veteran British thespian Alec Guinness found his fellow actor and former mentor Laurence Olivier tiresome and vindictive, newly released extracts from his diary show.

Writing just a day after Olivier's death, Guinness praised his contemporary as a "giant" of the theatre, but said he was unmoved by Olivier's performance in "Oedipus Rex".

"His 'I defy you, stars' in Romeo was memorable. And so was his Poor naked wretches etc in Lear. But his famous howl in Oedipus I thought just tiresome," Guinness wrote in a diary entry dated July 12, 1989.

"Like so many people whose ambition drive them to great eminence, he had a cruel and destructive streak. Side by side with his generosity, he could be unpleasant, possibly even vindictive," he wrote.

Born seven years apart, Guinness and Olivier first met on stage in 1935 in a performance of "Romeo and Juliet".

Guinness went on to win an Oscar for his performance in "The Bridge on the River Kwai" in 1957 and star as Obi-Wan Kenobi in George Lucas's "Star Wars" franchise.

Guinness wrote that Olivier "knew every trick of the trade", including brightening and dimming lighting when he entered and exited the stage.

"He was always very conscious of the audience - and his own powers over them. I'm not sure he was an artist but he was total actor - a giant among actors," Guinness wrote.

The entries are part of a collection of 100 diary volumes and 900 letters which will be available for research at London's British Library next year and chronicle Guinness's career from the late 1930s until his death in 2000.

The library purchased the documents for 320,000 pounds ($502,500) from the Alec Guinness Estate, which still holds the copyright.

($1 = 0.6368 British pounds)

(Reporting by Alice Baghdjian, editing by Paul Casciato)


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New proof said found for "original" Mona Lisa

Posted by Unknown | 02:48 Categories: , ,
David Feldman (R) , vice president of the Mona Lisa Foundation, shows similarities on a painting attributed to Leonardo da Vinci and depicting Mona Lisa to his brother Stanley, an art historian, during a preview presentation in a vault in Geneva in this September 26, 2012 file photo. REUTERS/Denis Balibouse/Files

David Feldman (R) , vice president of the Mona Lisa Foundation, shows similarities on a painting attributed to Leonardo da Vinci and depicting Mona Lisa to his brother Stanley, an art historian, during a preview presentation in a vault in Geneva in this September 26, 2012 file photo.

Credit: Reuters/Denis Balibouse/Files

By Robert Evans

GENEVA | Wed Feb 13, 2013 10:42am EST

GENEVA (Reuters) - New tests on a painting billed as the original version of the Mona Lisa, Leonardo da Vinci's 15th century portrait, have produced fresh proof that it is the work of the Italian master, a Swiss-based art foundation said on Wednesday.

The tests, one by a specialist in "sacred geometry" and the other by the Swiss Federal Institute of Technology in Zurich, were carried out in the wake of the Geneva unveiling of the painting, the "Isleworth Mona Lisa", last September.

"When we add these new findings to the wealth of scientific and physical studies we already had, I believe anyone will find the evidence of a Leonardo attribution overwhelming," said David Feldman vice-president of the foundation said.

The "Mona Lisa" in the Paris Louvre for over three centuries has long been regarded as the only one painted by Leonardo - although there have been copies - and claims for the Swiss-held one were dismissed by some experts last year.

But it also won support in the art world, encouraging the Zurich-based Mona Lisa Foundation - an international group which says it has no financial interest in the work - to pursue efforts to demonstrate its authenticity.

Feldman, an Irish-born international art and stamp dealer, said he was contacted after the public unveiling of the portrait - which shows a much younger woman than in the Louvre - by Italian geometrist Alfonso Rubino.

LEONARDO'S GEOMETRY

"He has made extended studies of the geometry of Leonardo's Vitruvian Man" - a sketch of a youth with arms and legs extended - "and offered to look at our painting to see if it conformed," Feldman told Reuters.

The conclusion by the Padua-based Rubino was that the "Isleworth" portrait - named for a London suburb where it was kept by British art connoisseur Hugh Blaker 80-90 years ago - matched Leonardo's geometry and must be his.

The Zurich institute, the Foundation said, carried out a carbon-dating test on the canvas of its painting and found that it was almost certainly manufactured between 1410 and 1455 - refuting claims that it was a late 16th century copy.

Earlier brush-stroke studies presented last September by U.S. physicist and art lover John Asmus concluded that both the "original" version and the Louvre crowd-puller were painted by the same artist.

The authenticity of the foundation's painting, discovered by Blaker in an English country house in 1913, has been fiercely challenged by British Leonardo authority Martin Kemp, who argued last year that "so much is wrong with it."

Feldman and foundation colleagues retort that Kemp has never followed up on invitations to come to see it.

Documents show that a painting of his wife Lisa was commissioned around the turn of the 16th century by Florentine nobleman Francesco del Giacondo. In French, the Louvre version is known as "La Giaconde" and "La Giaconda" in Italian.

Supporters of the "younger" version say it was almost certainly delivered unfinished to del Giacondo before Leonardo left Italy in 1506 and took up residence in France, where he died in 1519 in a small Loire chateau.

From the Giacondo house, it probably eventually found its way to England after being bought by a travelling English aristocrat, this account runs, while the Paris version was probably painted by Leonardo around 1516 in France.

(Reported by Robert Evans, editing by Paul Casciato)


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February 12th marks the passing of Dirk Coster. Coster was a Dutch physicist who co-discovered the element hafnium with George Charles von Hevesy.

For many years, element 72 was a missing spot in the periodic table. Several chemists searched for the element in zirconium minerals since many of these minerals had unknown impurities. Since the mid-1800s, many believed they had found element 72 in these minerals and an assortment of names were proposed. Swedish chemist Lars Svanberg reported his find as norium. Henry Clifton Sorby observed a new spectral line in zirconium and named his discovery jargonium, but retracted his claim the following year due to experimental error. Tellef Dahl believed he had discovered Norwegium. Other claims of ostranium, nigrium, euxenium were announced. French chemist Georges Urbain announced he had isolated element 72 from a rare-earth sample and named it celtium. Russian chemist Nenadkevich thought he had isolated thorium in the mineral orthite, but it had a much lower atomic weight, one that would correspond to element 72. He named his discovery asium, but could not publish his find due to World War I and the Russian Civil War.

Coster and Hevesy would find their element 72 in a zircon mineral by x-ray spectroscopy. They had been working in Neils Bohr's laboratory when Bohr won his Nobel Prize. Coster notified Bohr of the discovery and wanted to name it hafnium, after the Latin name of Copenhagen. Bohr wanted to name it danium, but he accepted Coster's name. Bohr amended his Nobel lecture to include the announcement of the discovery.

Hafnium has a very busy history. Find out what else occurred on this day in science history.


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A hot spring at Yellowstone National Park. The super volcano that lurks below Yellowstone has blown its top three times in the past 2 million years.

Jason Maehl A hot spring at Yellowstone National Park. The super volcano that lurks below Yellowstone has blown its top three times in the past 2 million years. A hot spring at Yellowstone National Park. The super volcano that lurks below Yellowstone has blown its top three times in the past 2 million years.

Jason Maehl

Every few million years or so, the Earth burps up a gargantuan volcano.

These aren't like volcanoes in our lifetimes; these "super volcanoes" can erupt continuously for thousands of years. While they might be rare, you'd best look out when one hits.

The ash and volcanic gases from these volcanoes can wipe out most living things over large parts of the planet. Michael Thorne, a seismologist at the University of Utah, has some clues about what causes these big eruptions.

Thorne uses seismic waves to get a picture of what's going on about 1,800 miles beneath the Earth's surface, where the planet's core meets the outer mantle. Think of the Earth as an avocado, and the pit is the core. The stuff you make guacamole with is the outer mantle.

Thorne has been watching two enormous piles of rock that sit on the boundary between the core and the mantle. One pile is underneath the Pacific Ocean; the other under Africa.

Scientists have known about them for 20 years, but Thorne saw something different.

"I think this is the first study that might point to evidence that these piles are moving around," Thorne says.

Moving perhaps, but slowly, and the piles are maybe 3,000 miles across. Thorne thinks, in fact, that the pile under the Pacific is actually two piles crushing up against each other. And where they meet, there's a blob.

"We call it a blob of partially molten material," he says. "I mean it's big ... this one that we found is an order of magnitude, maybe 10 times larger, than any of the ones we've observed before."

The blob is the size of Florida, and there are other, smaller blobs around the edges of the piles, too.

So these great rock piles are being squished together and squeezing this huge molten blob at the middle of it like some kind of balloon, and it is going on right underneath us.

Or at least, under Samoa. So should we care about these blobs?

"A possibility is that these blobs might represent sort of a deep-seated root, to where plumes arise all the way to the surface, giving rise to hot-spot volcanism," Thorne says.

One example is the Yellowstone super volcano, which has blown its top three times in the past 2 million years.

Thorne published all this in the journal, Earth and Planetary Science Letters. He's rather calm about it, and says it is a slow process from blob to blowout — maybe 100 million years or so.

Thorne says he has no plans to move just yet.


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Capt. Art Gaeten holds a blue shark that was caught during a research trip in Nova Scotia. Scientists are studying the impact of swordfish fishing methods on the shark population.

Dean Casavechia for NPR Capt. Art Gaeten holds a blue shark that was caught during a research trip in Nova Scotia. Scientists are studying the impact of swordfish fishing methods on the shark population. Capt. Art Gaeten holds a blue shark that was caught during a research trip in Nova Scotia. Scientists are studying the impact of swordfish fishing methods on the shark population.

Dean Casavechia for NPR

Part one of a three-part series by Daniel Zwerdling and Margot Williams.

Rebecca Weel pushes a baby stroller with her 18-month-old up to the seafood case at Whole Foods, near ground zero in New York. As she peers at shiny fillets of salmon, halibut and Chilean sea bass labeled "certified sustainable," Weel believes that if she purchases this seafood, she will help protect the world's oceans from overfishing.

But some leading environmentalists have a different take: Consumers like Weel are being misled by a global program that amounts to "greenwashing" — a strategy that makes consumers think they are protecting the planet, when actually they are not.

At Whole Foods, the seafood counter displays blue labels from the Marine Stewardship Council (MSC), an international, nonprofit organization. The MSC is a prime example of an economic trend: Private groups, not the government, are telling consumers what is good or bad for the environment. The MSC says its label guarantees that the wild seafood was caught using methods that do not deplete the natural supply. It also guarantees that fishing companies do not cause serious harm to other life in the sea, from coral to dolphins.

The idea is spreading fast throughout the food industry. Megachains like Target, Costco and Kroger are selling seafood with the MSC label. McDonald's says you are munching on "certified sustainable" wild Alaskan pollock every time you eat a Filet-O-Fish sandwich. The fast-food company has used MSC-certified fish since 2007 in the U.S., and as of February, they are putting the MSC logo on their fish sandwich boxes.

Poll results from a recent survey of 3,000 Americans, conducted on behalf of NPR, by Truven Health Analytics. Questions were asked — in general — about sustainable seafood and labeling.

Consumer Poll About Sustainability

Consumers like Weel say the labels help them feel better about the products they buy. "I want to feel that I'm doing the right thing," says Weel, a pediatrician, as her 4 ½-year-old daughter bolts into the vegetable aisle in neon-colored boots. When Weel shops for seafood, she says, she wants to make choices "that will help preserve the wild fish populations in the oceans."

Executives at Whole Foods say they are helping consumers do exactly that, by pledging in recent years to sell as many MSC-certified products as possible. Seafood is the last major food that people catch in the wild, and "we can't just go out and find more fish to catch," says Carrie Brownstein, global seafood quality standards coordinator for Whole Foods.

Brownstein cites a 2012 United Nations report that warned that almost 30 percent of the world's wild fisheries are "overexploited," and more than 57 percent of wild fisheries are "at or very close" to the limit.

Other groups have devised ranking systems for seafood. The Monterey Bay Aquarium labels products like a traffic light — green, yellow or red — to urge shoppers to buy or avoid a particular fish. The Blue Ocean Institute has a similar system. The MSC reports it has labeled roughly 8 percent of the global seafood catch, worth more than $3 billion. That makes it the most widespread and best-known rating scheme around the world.

A recent survey of 3,000 Americans, conducted on behalf of NPR, suggests that a majority of consumers want to feel good about the seafood they buy. The poll by Truven Health Analytics found that almost 80 percent of the people who eat seafood regularly said it is "important" or "very important" that their seafood is sustainably caught.

If they buy MSC-labeled seafood, they may be paying a premium. Brownstein says Whole Foods charges more for some of its seafood labeled "certified sustainable," although she wouldn't give numbers. Some fishing industry executives told NPR that they are getting roughly 10 percent more for their MSC-labeled products than for seafood that's not certified sustainable.

That's one reason why many environmentalists who supported the MSC in the past say you might be troubled to know what the MSC and supermarkets like Whole Foods are not telling you:

"We would prefer they didn't use the word sustainable," says Gerry Leape, an oceans specialist at the Pew Environment Group, one of the major foundations working on oceans policies. Leape has supported the MSC for more than a decade as a member of its advisory Stakeholder Council.

But he and other critics say that the MSC system has been certifying some fisheries despite evidence that the target fish are in trouble, or that the fishing industry is harming the environment. And critics say the MSC system has certified other fisheries as sustainable even though there is not enough evidence to know how they are affecting the environment.

When a customer sees the MSC's sustainable label at the supermarket, "the consumer looks at the fish and says, 'Oh, it has the label on it, it must be sustainable,' " Leape says. "And in some fisheries that the MSC has certified, that's not necessarily the case."

Biologist Susanna Fuller, co-director of marine programs at Canada's Ecology Action Centre, agrees. "We know ... that blue stamp doesn't mean that you're sustainable," she says. When asked if consumers should choose MSC-labeled seafood, Fuller pauses. "It's a gamble," she says.

Still, even the MSC's sharpest critics say they support the broad ideas behind the organization and its stated goals.

"Originally I thought it was a good idea," says Jim Barnes, director of the Antarctic and Southern Ocean Coalition, a network of dozens of environmental groups around the world. "The world needed something like this to help steer consumer decisions, and so I wasn't against it at all at the beginning. And I'm not totally against it now." But Barnes worries that the MSC is straying from its mission and needs a dramatic overhaul. "It can be a force for good. If it continues on the path that it's on, however, and doesn't solve a lot of these issues that have been raised," he says, "I don't think it will be."

Protecting The Oceans And The Bottom Line

The MSC was born because of a crisis.

Michael Sutton, one of its founders, says that he and his colleagues dreamed up the idea after the cod industry collapsed off the Nova Scotia coast in 1992. Cod fishing had been the foundation of the region's economy and culture, worth an estimated $700 million each year. But when the cod population plunged to a fraction of previous levels, the Canadian government banned cod fishing — putting thousands of people out of work.

Rupert Howes is CEO of the Marine Stewardship Council. "We want to see the global oceans transformed onto a sustainable basis," he tells NPR.

Tim Lofthouse/Courtesy of the Marine Stewardship Council Rupert Howes is CEO of the Marine Stewardship Council. "We want to see the global oceans transformed onto a sustainable basis," he tells NPR. Rupert Howes is CEO of the Marine Stewardship Council. "We want to see the global oceans transformed onto a sustainable basis," he tells NPR.

Tim Lofthouse/Courtesy of the Marine Stewardship Council

"It was so bad in some of these coastal communities, the government had to send in suicide-prevention teams," recalls Sutton, who was then vice president of the World Wildlife Fund. "We were not only trashing our marine environment, but we were ruining the character of coastal communities that had existed on fisheries for centuries," Sutton says.

Sutton and other environmental advocates, and many scientists, warned that the cod collapse taught the world a sobering lesson: Government agencies that were supposed to monitor and regulate fishing were often doing a lousy job. Cod weren't the only fish in trouble. Studies showed that populations of major species like swordfish, marlin and tuna were plunging too. "So we needed to do something drastic," Sutton says.

He and colleagues decided to convince industry executives that protecting the oceans would also protect their bottom line. Sutton made a pilgrimage to the Unilever conglomerate, then one of the largest producers of frozen seafood — including fish sticks.

"My pitch to Unilever was, 'The future of their frozen fish business is at stake,' " Sutton remembers. "Overfishing is not only bad for the environment, but it's really bad for business, because it means that they're not going to have fish in the future the way they have them today."

Unilever and the World Wildlife Fund joined hands in 1997, and set up the MSC. Unilever eventually sold its seafood subsidiary and left the program, but the founding partner left its mark: From the day the MSC opened its doors in London, it has been a balancing act between industry and the environment.

Today, the MSC has more than 100 employees worldwide, including about 60 at its headquarters in a renovated building down the street from St. Paul's Cathedral.

"MSC has a global vision," says Rupert Howes, the organization's chief executive officer. "We want to see the global oceans transformed onto a sustainable basis."

MSC's System Of Certification

Swordfish from Canada are marked with a label from the Marine Stewardship Council at a Whole Foods in Washington, D.C. The MSC says its label means the fish were caught by a sustainable fishery, but critics says it's not always so clear.

Margot Williams/NPR Swordfish from Canada are marked with a label from the Marine Stewardship Council at a Whole Foods in Washington, D.C. The MSC says its label means the fish were caught by a sustainable fishery, but critics says it's not always so clear. Swordfish from Canada are marked with a label from the Marine Stewardship Council at a Whole Foods in Washington, D.C. The MSC says its label means the fish were caught by a sustainable fishery, but critics says it's not always so clear.

Margot Williams/NPR

Here's the MSC's basic idea: Executives of a growing number of food companies want to be "green." Some genuinely want to protect the environment; others may be mainly seeking a marketing edge. But when it comes to seafood, those executives don't have the time or knowledge to figure out which fishing companies are plundering the ocean and which ones are doing a good job. So the MSC does the work for them.

The MSC does not certify fisheries itself. Instead, a fishery that wants the label hires one of roughly a dozen commercial auditing companies to decide whether its practices comply with the MSC's definition of "sustainable." The MSC's standard for sustainability includes dozens of items, but they're designed to assess whether the population of a fishery's target species is healthy; if the fishing practices don't cause serious harm to other life in the sea — including by accidentally catching other animals, which is called bycatch; and if the fishery has good management. If the commercial auditors give the fishery a passing score, then the fishery gets the right to use the blue "Certified Sustainable Seafood" label. It can be a long and expensive process. Some certifications have taken years, and the fisheries have paid the auditing firms up to $150,000 or more.

Howes says that when a store sells MSC-certified seafood, the label announces to consumers, "We care where our fish comes from." He adds that as a growing number of food companies sell MSC-labeled seafood, executives of fisheries that don't have it are motivated to join the program. That catalyzes "real and lasting change in the way the oceans are fished," Howe says.

During the MSC's first decade, there wasn't much demand for sustainable seafood by the U.S. food industry, and the MSC "almost went bankrupt," Sutton says. And that put the spotlight on the MSC's financial model.

The way that executives structured it, MSC's budget comes partly from foundation grants. But some revenue comes from the licensing fees that MSC charges businesses for the right to sell seafood with the MSC label. So as long as many supermarket chains were not promoting it, the MSC wasn't getting much money.

Then, in 2006, everything changed. The MSC and its supporters had sent a series of delegations to Bentonville, Ark., world headquarters of Wal-Mart. The delegations helped convince Wal-Mart executives to promise that all the seafood they sell in the U.S. would be MSC-certified by 2012.

"We had to get Wal-Mart," Sutton says. "The significance of their commitment, of course, is that once Wal-Mart made a commitment to the Marine Stewardship Council, every other major retailer had to follow suit, because none of them wanted to be less progressive than Wal-Mart." Sure enough, other discount chains promised to go sustainable, too. "Overnight, the demand far outstripped the supply," says Sutton, "and so the suppliers had to catch up."

Since Wal-Mart made its pledge in 2006, the MSC system has certified seven times as many fisheries as it did during the same period before, according to NPR's analysis. Still, the MSC system has not been able to certify enough seafood for Wal-Mart to meet its 2012 deadline, according to Bob Fields, a senior buyer for Wal-Mart and Sam's Club.

The explosion in sales of MSC-labeled products at leading chain stores has transformed the organization's finances. The year that Wal-Mart pledged to promote MSC-labeled seafood, the MSC received most of its income from foundation grants — 75 percent, according to the MSC annual report. Meanwhile, it received only 7 percent of its income from label licensing fees.

Today, those licensing fees generate more than half of the MSC's revenue.

And since Wal-Mart executives embraced sustainable seafood, the MSC has also received millions of dollars in grant money from the Walton Family Foundation, which was created by Wal-Mart's founder and is governed by his descendants. The Walton Family Foundation has become one of the MSC's largest donors, according to financial reports. The director of the foundation's environment programs, Scott Burns, served on the MSC's board of directors before he went to Walton.

Marine Stewardship Council fisheries, by year

Critics say that the day Wal-Mart embraced sustainable seafood, it was a blessing for the MSC system — and a curse. The critics charge that the MSC system has compromised its standards to keep up with the booming demand from Wal-Mart and other chains that followed suit. Fuller, of the Ecology Action Centre, says she has watched the MSC system "struggling with meeting the demands of the system that they helped create ... They have ended up having to lower the bar."

When ocean specialist Daniel Pauly, a fisheries professor at the University of British Columbia, talks about the MSC today, he sounds dispirited. Pauly took part in early meetings in London that helped create the MSC and now says he has lost faith in the system. "The MSC is doing the business of the business community," Pauly says, not the environment.

Capt. Art Gaeten holds a blue shark caught off the coast of Nova Scotia during a research outing. Studies show that 35 percent of sharks caught by swordfish boats die either on the hook or within days of release.

Capt. Art Gaeten holds a blue shark caught off the coast of Nova Scotia during a research outing. Studies show that 35 percent of sharks caught by swordfish boats die either on the hook or within days of release.

Dean Casavechia for NPR

Balancing 'Sustainable' Swordfish With At-Risk Sharks

Some environmentalists and scientists say if you want to understand why they're losing faith in the MSC, look at the battle over certifying Canadian swordfish. Next time you buy swordfish at a store like Whole Foods, it might come from a controversial fishery off the coast of Nova Scotia.

Fishermen have known for ages that when they go swordfishing in some parts of the Atlantic, they will accidentally catch sharks — lots of sharks, says Steve Campana, who runs the Canadian government's Shark Research Laboratory, near Halifax, Nova Scotia.

Steve Campana runs the Canadian Shark Research Laboratory. He works to tag sharks with satellite transmitters to find out how long they survive after being caught and released.

Dean Casavechia for NPR Steve Campana runs the Canadian Shark Research Laboratory. He works to tag sharks with satellite transmitters to find out how long they survive after being caught and released. Steve Campana runs the Canadian Shark Research Laboratory. He works to tag sharks with satellite transmitters to find out how long they survive after being caught and released.

Dean Casavechia for NPR

When NPR caught up with Campana one morning, he and his research crew were heading into the Atlantic on a 34-foot trawler, the Dig It. They were planning to attach sophisticated satellite transmitters to blue sharks.

"On average, from what we've seen over the years, the swordfishermen catch about five blue sharks for every one swordfish," Campana said, holding onto a metal strut as the Dig It bounced through the waves. Add it up, studies suggest, and Canada's long-line swordfish boats — so named because they typically let out 30 or 40 miles of fishing line, dangling more than 1,000 hooks — accidentally catch tens of thousands of sharks every year.

This touches on one of MSC's three fundamental rules, even though studies show swordfish are plentiful. The second rule says that a fishery is not sustainable if it does not maintain "the integrity of ecosystems" — which means, in part, that it's not sustainable if there is too much bycatch.

The Committee on the Status of Endangered Wildlife in Canada, which is funded and appointed by the Canadian government, has warned that the main kinds of sharks that swordfishermen accidentally catch are "threatened" or "endangered" or "of special concern."

Swordfishermen generally release the sharks. But there had been few studies on what happens to those sharks after fishermen let them off the hooks — until Campana and his colleagues came along. About six years ago, they started tagging sharks with satellite transmitters before fishermen set them free.

Shark charter operator Art Gaeten (right) and recreational shark fisherman Shawn Knowles struggle to hold a blue shark in position while shark biologist Anna Dorey attaches a satellite tag to its back. Researchers say about five blue sharks are caught for every one swordfish. Scientists are trying to determine what happens to the sharks after they are released.

Dean Casavechia for NPR Shark charter operator Art Gaeten (right) and recreational shark fisherman Shawn Knowles struggle to hold a blue shark in position while shark biologist Anna Dorey attaches a satellite tag to its back. Researchers say about five blue sharks are caught for every one swordfish. Scientists are trying to determine what happens to the sharks after they are released. Shark charter operator Art Gaeten (right) and recreational shark fisherman Shawn Knowles struggle to hold a blue shark in position while shark biologist Anna Dorey attaches a satellite tag to its back. Researchers say about five blue sharks are caught for every one swordfish. Scientists are trying to determine what happens to the sharks after they are released.

Dean Casavechia for NPR

During one outing, the crew showed how they do it: They snagged a 5-foot blue shark on a hook baited with mackerel, reeled it in, and then pinned the thrashing shark against the boat's broad, flat railing. They jabbed a satellite transmitter, which looks like a turkey baster with a barb on one end, into the shark's leathery skin.

And then they let the shark go, the transmitter protruding like an unsightly growth. The device is equipped with a computer chip that records data every 10 seconds, including where the shark goes, how deep it goes, and how long it stays there. After about 10 months, the tube pops off the shark and floats to the surface, beaming all the information via satellite to Campana. When the transmitter shows that a shark went to the deepest part of the sea and just stayed there, Campana knows when and where the shark died.

Campana and his colleagues published some of their first findings based on these studies in July 2009, in the journal Marine Ecology Progress Series. Their studies showed that up to 35 percent of the sharks caught by swordfish boats die, either right on the hook or within days after the fishermen set them free. The findings suggested that Canadian swordfish boats accidentally kill almost two sharks for every swordfish they catch.

Campana says that when you put these findings in context, it is troubling. Other studies suggest that the populations of major kinds of sharks in the North Atlantic have plunged as much as 40 to 60 percent in just the past few decades. "Any time you see consistent declines like that, and the fact that all of these large sharks seem to have declined all over the world," Campana says, "it's just a worrisome pattern."

The president of Canada's swordfish industry, the Nova Scotia Swordsfishermen's Association, dismisses Campana's conclusions. Campana's report on shark deaths could not have come at a worse time for Canada's swordfish industry. Only months before the report was published, the association, which catches most of Canada's commercial swordfish, had applied to the MSC for certification. The industry sells much of its swordfish to Whole Foods and other stores in the U.S.

Those conclusions "were not close to what the industry felt was reality," Troy Atkinson, president of the association, says while sitting in his store, crammed with giant spools of plastic fishing line and boxes of heavy metal hooks. He runs the main business that supplies equipment to Canada's swordfishing fleet.

"We're sometimes portrayed as a bunch of cowboys out to harvest the last buffalo," he says. "We're portrayed as some of the worst in the world. And it's just not correct."

Atkinson cites reports by other researchers that conclude that the population of blue sharks off the coast of Canada is healthy – especially reports by the International Commission for the Conservation of Atlantic Tunas (ICCAT), which represents dozens of governments whose nations fish the Atlantic. So, Atkinson says, Canada's swordfishermen could catch and kill even more sharks without hurting the environment.

Other studies suggest the evidence is contradictory, and that scientists don't know for sure what is happening to sharks across the Atlantic. For example, the optimistic ICCAT researchers whom Atkinson cites acknowledge that their conclusions are "highly uncertain" because they're based on unproven assumptions and incomplete data. However, studies showing that blue sharks have sharply declined focus on a limited region.

So scientists and environmentalists were dumbfounded in early 2012 when the MSC system decided that Canada's swordfish industry can use the label "Certified Sustainable Seafood."

"That is absolutely the kind of fishery that should not be certified," says Leape of Pew Environment Group. "That fishery is outrageous."

Certifying Canadian swordfish "is the worst thing they can do, says Fuller, of the Ecology Action Centre. "That is not at all the way it should go."

A Program Based On 'Science And Evidence'

The Ecology Action Centre and dozens of other environmental groups denounced the MSC. The groups said in a letter to the MSC system that roughly 10 percent of Canada's swordfish are caught with harpoons — a method environmentalists support because there is hardly any bycatch. But the long-line boats that supply most of the swordfish catch a "staggering" number of sharks, as the environmentalists put it. "Certifying [Canada's long-line swordfish boats] compromises the credibility of the MSC," the groups warned, "and the sustainable seafood movement as a whole."

Additional studies and information on sustainable fishing and labeling.

Howes, from the MSC, disagrees. He says the controversy over Canadian swordfish "illustrates a key feature of the MSC program, which is the fact that the program is premised on science and evidence. That fishery has met the MSC standard."

The analysts who evaluated the fishery for the MSC system agreed that the swordfish boats do kill large numbers of sharks. They acknowledged that the optimistic studies on sharks that the swordfish industry cites are uncertain, but they concluded that the weight of evidence suggests it is "highly likely" there are plenty of blue sharks left in the sea. The analysts also stressed that, by all accounts, other countries kill far more sharks than Canada's swordfishermen do. So, they said, Canada causes only a small part of the bycatch problem.

"We are not saying that shark bycatch doesn't matter," says Howes. "What we're saying implicit within the labeling of that fishery is, the shark bycatch of that unique individual certified fishery is safe. It's within ecological limits."

Barnes, of the Antarctic and Southern Ocean Coalition, says the controversy over Canadian swordfish illustrates why the booming demand for sustainable seafood actually threatens to hurt the movement more than help it. "The bottom line is that there are not enough truly sustainable fisheries on the earth to sustain the demand," Barnes says. "The retailers and wholesalers all want access to this kind of label because they're trying to ... make money with their consumers. There's nothing wrong with that; that's how the world works."

But Barnes charges that the MSC is labeling some fisheries as sustainable — even when they are not — partly to fill the seafood counters at Wal-Mart and other large chains. "I'm not down on Wal-Mart at all, don't get me wrong," he says. "But to get on line with big chains as your goal leads you down a path that I don't think the originators of the MSC intended."

Howes could hardly disagree more. "If you really want to contribute to the transformation of our economic systems more generally, you've got to engage with the big guys. And therefore, I absolutely welcome Wal-Mart's commitment," he says. "That will drive change."

Howes continues: "Will that overload the MSC system? No."

He argues that there's no way the MSC could label problem fisheries sustainable just to satisfy demand, because, he says, the certifiers evaluate each fishery based only on scientific evidence. But he adds, "We want to see oceans fished sustainably forever. We're not going to achieve that by becoming a small niche organization that engages with a handful of perfect fisheries."

Researcher Barbara Van Woerkom contributed to this story.


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February 13th is ?tienne Fran?ois Geoffroy's birthday. Geoffroy was a French physician and chemist who was the first to arrange the known elements into a table based on their chemical affinity to each other.

Anyone who has ever mixed two items together knows some things combine better than others. In chemistry, two different chemical species' affinity is a property that shows how likely a chemical reaction will occur when mixed. Reagents with strong affinity are more likely to react with each other than reagents with little affinity to each other. Geoffroy's table had a series of reagents across the top with other reagents with high affinity with these elements listed below. This table became a standard table for 18th Century chemists until the end of the century when it was shown the amount of a reagent drove the reaction.

Find out what else occurred on this day in science history.


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Turkey vulture droppings can strip paint, kill grass and sicken pets. The droppings also smell really bad.

Holly Kuchera /iStockphoto.com Turkey vulture droppings can strip paint, kill grass and sicken pets. The droppings also smell really bad. Turkey vulture droppings can strip paint, kill grass and sicken pets. The droppings also smell really bad.

Holly Kuchera /iStockphoto.com

It sounds like a horror story: Every few years, usually in the winter months, residents of the town of Leesburg, Va., come home from work to find their backyards overrun with turkey vultures. Not just a few birds, but hundreds of them. Everywhere.

Lt. Jeff Dube is with the town's police department. For a whole week, he spent every evening driving around town, looking for the latest vulture hotspots.

"They like Leesburg. There's really no rhyme or reason. Every three to five years they come back en mass, like this year, 2- to 300," Dube says.

They can cause a big disturbance to daily life, but not because the ugly birds make noise or claw things.

Since vultures eat rotting meat, they need very strong stomach acid to kill all that bacteria they ingest with their meal. The final digested product has to go somewhere, like your garden, car or house, where family pets or small children can get into it.

"And it smells really bad, too," Dube says.

But the Leesburg residents and police can't get rid of the vultures on their own. The raptors are covered under the Migratory Bird Treaty Act, which means that Dube has to call in the United States Department of Agriculture to do the job.

USDA wildlife specialist Chad Forehand drives around town in his white truck with Dube, implementing the official harassment techniques. They have a two-pronged attack plan for Leesburg: scare the vultures out of the trees with fireworks and then encourage them to stay away by hanging a dead vulture in the roosting area.

"It's a pretty strong visual statement when they fly back and see one of their own hanging there. They're not going to want to stick around," Dube says.

For Leesburg resident John Camp, that's a good thing. The house where he's lived for 21 years also happens to be home base for the vulture swarm.

Luckily, Camp doesn't have any vultures in his backyard anymore. At least, not any live vultures. A tall tree in Camp's backyard now hosts one of the vulture effigies.

The methods apparently work. Toward the end of the week, only one solitary vulture circled in the rainy, grey sky.

As it circles lower and lower over the rooftops, searching for a landing spot, Forehand pulls out a little starter pistol and loads in a little firecracker. The loud noise scares the vulture. It flaps away and is gone even before streak of smoke from the screamer dissipates.

With 200 vultures in one Virginia town, it's easy to think that the birds are thriving. But scientist Yula Kapetanakos, who studies vultures at the Cornell Lab of Ornithology, isn't so sure.

"There's really a lot we don't know about these birds," she says. "There have been varying estimates of how many individuals there are of black vultures and turkey vultures, which are only two of the seven species found in the new world."

Kapetanakos says part of the problem is that vultures are just really difficult to keep track of. Vulture feeding sites are too frenzied to get a reliable count of individual birds, and they are hard to catch and tag with tracking devices.

They may be ugly and smelly, but Forehand of the USDA says they are important players in a healthy ecosystem.

"They're the scavengers that are cleaning up a lot, and that's very important," he says. "They just need to sleep elsewhere, instead of here, and everything would be perfect."

Perfectly vulture-free. That is, until next time.


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Do Radioactive Elements Really Glow?

Posted by Unknown | 02:38 Categories: , ,
Glowing Radioactive Radium Dial (Arma95)In books and movies you can tell when an element is radioactive because it glows. Movie radiation usually is an eerie green phosphorescent glow or sometimes a bright blue or deep red. Do radioactive elements really glow like that?

The answer is both yes and no. First let's take a look a the 'no' part of the answer. Radioactive decay may produce photons, which are light, but the photons are not in the visible portion of the spectrum. So no... radioactive elements do not glow in any color you can see.

On the other hand, there are radioactive elements that impart energy to nearby phosphorescent or fluorescent materials and thus appear to glow. Radium and tritium are mixed with phosphorescent materials so that the ionizing radiation from the radioactive elements can excited the electrons in the phosphors, exciting them to a higher energy level. As the electrons return to a lower energy level, visible light is produced.

If you saw plutonium it might appear to glow red. Why? The surface of plutonium burns in the presence of oxygen in the air, like an ember of a fire.

Another example of an element that glows is radon. Radon ordinarily exists as a gas, but as it is cooled it becomes phosphorescent yellow, deepening to glowing red as it is chilled below its freezing point.

Actinium is another radioactive element that glows. Actinium is a radioactive metal that glows pale blue.

While not all radioactive elements glow, there are examples of glowing elements. The elements usually do not glow green as in movies -- that color likely comes from the common phosphor color used with radium and tritium, plus it is a color that shows up really well when it is filmed.

Glowing Radioactive Materials Photo Gallery | Do Radioactive Elements Glow in the Dark


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A staff member discusses ''Jeanne Hebuterne (au chapeau)'' from 1919 by Amedeo Modigliani, at Christie's auction house in London February 1, 2013.

Credit: Reuters/Suzanne Plunkett


LONDON | Wed Feb 6, 2013 6:47pm EST


LONDON (Reuters) - A portrait of Jeanne Hebuterne painted by Italian artist Amedeo Modigliani a year before his death in 1920 sold on Wednesday for 26.9 million pounds ($42.3 million), above the high estimate set by Christie's auctioneers.


"Jeanne Hebuterne (au chapeau)" was the leading lot at the impressionist, modern and surrealist sale in London which brought in a total of 136.5 million pounds, a record at Christie's for the equivalent auction in London in February.


The total underlines the strength of the high-end art market, with ultra-wealthy buyers and institutions from markets like Russia, China and the Middle East bidding against more established collectors in Europe and the United States.


Modigliani met Hebuterne towards the end of his life and they had a child together. The day after the artist died aged 35, his inconsolable partner jumped out of a window killing herself and their unborn second child.


Another notable success on the night was 19th Century French painter Berthe Morisot's "Apres le dejeuner" which fetched seven million pounds, well in excess of expectations of between 1.5 million-2.5 million pounds.


The total was a record price for a female artist at auction.


Morisot was famously captured by Edouard Manet wearing a black hat, a work which is currently hanging at a Manet exhibition at the Royal Academy near Christie's headquarters.


Rival Sotheby's had the top lot of two days of major sales in London, with Picasso's portrait of his mistress Marie-Therese Walter selling for 28.6 million pounds on Tuesday.


Overall Sotheby's sold art worth 121.1 million on the night.


(Reporting by Mike Collett-White; Editing by Angus MacSwan)


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How to Make a Saturated Solution

Posted by Unknown | 02:36 Categories: ,
A saturated solution is one where the solute is as concentrated as it can get in the solution without precipitating. You may need to make a saturated solution for a lab or to grow crystals. There are at least three ways to make a saturated solution: Add solute to the solvent until no more solute will dissolve. Keep in mind, solubility often increases with temperature, so you may be able to get more solute into a hot solvent than you would if the solvent was cool. For example, you can dissolve much more sugar in hot water than you can in cold water. Evaporate solvent from an unsaturated solution. You can evaporate the solvent by permitting air circulation or by heating the solvent. If you are growing crystals and your solution is nearly saturated, you may use evaporation to induce crystal growth. Add a seed crystal to a supersaturated solution. The seed crystal will cause the solute to precipitate, leaving a saturated solution. This is another method used to grow crystals.

Grow a Seed Crystal | Easy Crystal Recipes

Photo: Crystals often form spontaneously as a saturated solution cools (Rifleman 82)


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Grow a Salt Crystal Garden

Posted by Unknown | 02:34 Categories: ,
Salt Crystal Garden (Anne Helmenstine)Here's an easy crystal project you can complete in an afternoon. A salt crystal garden is a classic project in which you grow crystals by wicking the crystal growing solution up a toilet paper or paper towel tube, causing the crystals to be deposited on the barrel of the tube. You don't actually need to cut the tube, but sometimes crystals will grow outward on the fringe, resembling a crystal tree. This really easy. Mix equal parts table salt, household ammonia and iron(III) ferrocyanide solution. The iron(III) ferrocyanide is found as Mrs. Stewart's Laundry Bluing or as a common artist pigment, Prussian Blue. If you use the dry pigment, dilute it with water to make a deeply-colored blue solution. The exact measurements are not critical.

Pour the mixture into the bottom of a shallow dish. Set a cardboard tube (~4" tall) into the solution. The crystals are naturally white, but if you want some color you can dot the cardboard tube with food coloring or water soluble marker ink. The solution will creep up the tube. You'll start to see crystals forming within a few hours. Continue growing crystals as long as you like. I'd allow a couple of days for observations. These crystals are very fragile, so place the dish somewhere where it won't get bumped.

Salt Crystal Garden | Charcoal Crystal Garden


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NEW YORK | Fri Feb 8, 2013 5:17pm EST

NEW YORK (Reuters) - Paintings from the private collection of U.S. singer Andy Williams, amassed over six decades, could fetch more than $30 million when they are sold at auction in May, Christie's said on Friday.

Works by Willem de Kooning and Richard Diebenkorn are expected to be the top sellers of the portion of the collection that will be auctioned at Christie's Post-War & Contemporary Art sale on May 15-16.

De Kooning's 1984 "Untitled XVII" and Diebenkorn's 1976 "Ocean Park #92" are expected to sell for about $5 million each.

"Williams' highly personal choices in Post War and Contemporary artworks reflect the dynamic energy of New York and Los Angeles in the 50s and 60s," Robert Manley, an international director at Christie's, said in a statement.

Christie's described de Kooning's "Untitled XVII" as a masterpiece of his final years of painting.

"The lyrical 1984 work demonstrates the artist's supreme confidence at the height of his fame, after six decades of painting," the auction house said.

Williams, best known for his rendition of the song "Moon River," died in September at the age of 84. The paintings in the collection are from his two homes and his Moon River Theater in Branson, Missouri.

Williams was first interested in Modern Art and had purchased works by Picasso, Paul Klee and Henry Moore before turning to the other painters.

Picasso's 1927 painting "Figure Feminine Sur la Plage," from Williams' collection, will be up for sale during Christie's Impressionist & Modern Art sale in New York on May 8-9.

"He had the exceptional ability to recognize quality in every category that he turned his attention to - a rare gift among collectors," Manley said about Williams.

The remainder of the collection will be sold this year in sales in New York, London and Paris.

(Reporting by Noreen O'Donnell; Editing by Patricia Reaney and Eric Beech)


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By Marine Pennetier

PARIS | Thu Feb 7, 2013 3:15pm EST

PARIS (Reuters) - A French art collector claims to have found the head from the nude body that appears in a famously explicit 19th Century oil painting of a woman's genitalia.

Art expert Jean-Jacques Fernier, who has studied the works of Gustave Courbet for years, told Reuters he believed an unsigned painting of a woman's head, featured in this week's Paris Match magazine, had been cut off his masterpiece "The Origin of the World".

An anonymous collector named by Paris Match as "John" told the weekly he bought the painting from a Paris antiques dealer in early 2010 for 1,400 euros ($1,900) after spotting it nestled between old furniture and knick-knacks.

Fernier said the painting appeared to have been chopped off a bigger work and the weave of its canvas exactly matched that of Courbet's graphically erotic 1886 work, which shows just the torso of a woman lying on her back.

"The Orsay has a piece of the work ... and this face is another piece," said Fernier, who thinks Courbet cut the head off to protect the model, believed to be Irishwoman Joanna Hiffernan, erstwhile lover of the painter James Whistler.

Courbet, a leader of the Realist movement, is believed to have painted his most provocative work as a commission for Turkish-Egyptian diplomat Khalil-Bey, a flamboyant society figure who kept the canvas in his bathroom behind a green curtain.

"Khalil-Bey was not able to buy this piece because it wasn't possible to sell such an erotic painting at that period in time, it was unthinkable," Fernier told Reuters. "When Khalil-Bey bought (the Origin painting), Courbet removed the head."

John told Paris Match he had taken his painting to several experts before one told him she was convinced it was a Courbet.

That prompted him to study the painter and spot a similarity in tone with "l'Origine du Monde", on display at the Musee d'Orsay in Paris since 1995.

Being the matching head would give John's painting a value of some 40 million euros ($54 million), Paris Match said. He hoped to loan his painting to the Musee d'Orsay so the two could be displayed together, the magazine said.

French daily Le Figaro doubted the story, however, noting there was no recorded evidence that the Origin painting had been cut away from another and quoting other experts as skeptical of Fernier's theory.

The Musee d'Orsay declined to comment.

(Writing by Catherine Bremer; Editing by Robin Pomeroy)


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An official with the Korea Meteorological Administration shows a seismic image of a tremor caused by North Korea's nuclear test, in Seoul on Tuesday.

An official with the Korea Meteorological Administration shows a seismic image of a tremor caused by North Korea's nuclear test, in Seoul on Tuesday.

Kim Jae-Hwan/AFP/Getty Images

North Korea's latest nuclear weapons test is much more powerful than the previous two, according to estimates made by instruments that measure seismic waves from the blast. It's about the size of the bomb that devastated Hiroshima in World War II.

But it's not so easy to verify the claim that the nuclear explosive has also been miniaturized. That's a critical claim because a small warhead would be essential if the rogue regime chose to threaten the United States with a nuclear-tipped missile.

Big bombs are easier to make, but they aren't all that useful as a threat.

"It doesn't do the North Koreans much good if they have to put it in a truck," says Jeffrey Lewis, the director of the East Asia Nonproliferation Program at the Monterey Institute of International Studies. But the threat level obviously rises as the bombs get more compact.

And that's the claim with the North Korean nuclear test.

"KCNA, the Korean news agency, has come out and said it was a smaller and light design, I believe were the exact words," says James Acton, a senior associate in the nuclear policy program at the Carnegie Endowment for International Peace.

It may be possible to glean more information about that claim if gases from the underground test have escaped into the atmosphere. Sniffer aircraft scoop up air samples that might be used to learn more details about the design of the explosive.

"Even if it's possible to infer some design details, any conclusions are only likely to be fairly tentative," Acton says. "So although I think it may well have been a miniaturized device, we actually may never know."

The United States undertook hundreds of nuclear tests before developing reliable small warheads. But Acton says the North Korean program has been designed from the start to produce a compact weapon. That means it could have made real strides, even though this is just the third test.

"There's also the possibility that the North Koreans have received outside assistance. That could make their task of creating a miniaturized warhead easier," he says.

Even if North Korea has produced a compact warhead, it doesn't yet have the ability to strike the United States with a nuclear-tipped intercontinental ballistic missile. North Korean engineers have launched missiles into space, but Acton says so far they haven't shown that they can build a warhead that is rugged enough to re-enter the earth's atmosphere at hypersonic speeds and blistering temperatures.

"Not only do you have to have a weapon that's light enough to fit in the nose cone and small enough to fit in a nose cone, you also have to have a re-entry vehicle and design combination that is durable enough to survive the rigors of re-entry," Acton says.

Even so, North Korea may have the ability to threaten its neighbors with a warhead on a shorter-range missile, which moves more slowly and can carry a bigger warhead.

"Some of the missiles that they have — the shorter range missiles — they might only be looking at a payload of about three feet, in which case we'd have to believe that that's doable," says Corey Hinderstein, vice president of the international program at the Nuclear Threat Initiative.

As things stand, the nation could build a handful of weapons. North Korea is apparently no longer producing plutonium, and there's probably enough on hand for about a dozen warheads. Some of that plutonium could have been used in the latest test. But there's another possibility.

"The real interesting question is whether this used highly enriched uranium," Hinderstein says.

It's harder to build a compact nuclear warhead with uranium, compared with plutonium, but it is possible. And uranium can be enriched in secret. No reactor is required.

"At least publicly, they have declared that they are not producing any highly enriched uranium for nuclear weapons — that all of their interest in uranium enrichment has been in support of their nuclear energy program," Hinderstein says.

So if the sniffer aircraft detect a uranium bomb, that would be a very significant finding about the North Korean nuclear program.

"It doesn't necessarily change their capability, but it may change the number of weapons they could have at their disposal in the near future," Hinderstein says.

It's nothing to panic about, she adds, but clearly with each advance the situation becomes more uncomfortable.


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